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BIRANCHI PRASAD SAHU
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The Hidden Valley
Sculpted by wind and water, the sand forms a miniature landscape of ridges, valleys and fragile peaks. Viewed from this intimate perspective, a small formation on Puri Beach takes on the scale and mystery of a distant mountain terrain—an ephemeral work of art created entirely by nature.

Photo shot on Canon EOS 5D Mark III with Canon EF 24–105mm f/4L IS USM lens at 105mm, f/4, 1/1250 sec, ISO 100

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Cathedral of Sand
In this close study of the beach, wind-shaped sand rises like pillars, draperies and weathered stone. What appears at first to be a section of shoreline begins to resemble an ancient architectural facade, revealing how nature quietly creates its own sculpture and design.

Photo shot on Canon EOS 5D Mark III with Canon EF 24–105mm f/4L IS USM lens at 105mm, f/4, 1/1250 sec, ISO 100

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Sandscape
Rising from the beach like a distant mountain range, these fragile formations transform grains of sand into an expansive landscape. Their rhythm, texture and repeated vertical forms reveal nature as both sculptor and architect—creating a world that exists only until wind or tide reshapes it.

Photo shot on Canon EOS 5D Mark III with Canon EF 24–105mm f/4L IS USM lens at 105mm, f/4, 1/1250 sec, ISO 100

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Nature’s Monuments
These delicate sand formations rise like ancient monuments, shaped by the quiet collaboration of wind, water and time. Their vertical rhythm, deep grooves and sculptural surfaces turn an ordinary beach into a temporary gallery of natural forms—fragile, expressive and constantly changing.

Photo shot on Canon EOS 5D Mark III with Canon EF 24–105mm f/4L IS USM lens at 105mm, f/4, 1/1250 sec, ISO 100

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Sculpted Silence
Carved by wind and receding water, the sand forms deep folds, ridges and vertical walls that resemble an ancient terrain. In monochrome, these temporary structures become almost monumental, revealing the quiet geometry and sculptural beauty hidden within the surface of Puri Beach.

Photo shot on Canon EOS 5D Mark III with Canon EF 24–105mm f/4L IS USM lens at 105mm, f/4, 1/1250 sec, ISO 100

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Whispers of the Vanishing Shore
The tide withdraws like a breath held too long, leaving behind a fleeting manuscript written in sand. Ripples rise and fold into one another, forming delicate ridges that echo the language of ancient, forgotten structures. For a brief moment, the shoreline becomes a living sculpture—an architecture not built by hands, but by water, wind, and time itself. Soon, the sea will return to smooth it all away, erasing every trace of its quiet artistry.

Photo shot on Canon EOS 5D Mark III with Canon EF 24–105mm f/4L IS USM lens at 105mm, f/4, 1/1250 sec, ISO 100


Image and Imagination Photography Exhibition 2026
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DR. ADITYA MANEKAR
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Kingfisher - Stillness in Sapphire
Against the quiet green of the forest, a flash of blue pauses in perfect stillness—watchful, poised, and effortlessly beautiful.

Shot on Nikon D3500

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Monarch - A Legacy in Blue
A vibrant parent stands guard beside a fragile nest, where new life waits with open beaks. In the quiet rhythm of the wild, survival begins with care.

Shot on Nikon D3500

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Crowned by the Canopy
Hidden among the emerald foliage, the Great Hornbill pauses like a monarch of the forest, its magnificent casque catching the last whispers of light. A fleeting glimpse of wilderness, perfectly framed by the jungle.

Shot on Nikon D3500


Image and Imagination Photography Exhibition 2026
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DR. SANTOSH MAHALIK
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A Symphony of Colour - Van Hasselt’s Sunbirds
A pair of Van Hasselt’s Sunbirds adorn their feeding tree with dazzling plumage, capturing the extraordinary beauty and delicate harmony of life in the Himalayan forests.

Shot on Nikon Z9, Nikon 500mm f 5_6 PF ED VR Lens with Nikon TC-14E III AF-S, 750mm, f5_6, ISO 1100, SS 1/3200s

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A Glimpse Through the Bamboo - Slender-billed Scimitar Babbler — Mishmi Hills
Peering curiously through the bamboo, a Slender-billed Scimitar Babbler reveals itself for a fleeting moment amid the lush forests of the Mishmi Hills.

Shot on Nikon Z9, Nikon 500mm f 5_6 PF ED VR Lens with Nikon TC-14E III AF-S, 750mm, f5_6, ISO 5000, SS 1/400s

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Morning Ritual - Wire-tailed Swallow — Nal Sarovar
In the soft light of early morning at Nal Sarovar, a Wire-tailed Swallow pauses to preen, delicately tending its feathers before beginning another day over the tranquil wetlands.

Shot on Nikon Z9, Nikon AF S 500mm f 5_6 PF ED VR Lens with Nikon TC-14E III AF-S, 750mm, f5_6, ISO 1/800s, EC + 0_7

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Among the Fruits - Golden-throated Barbet — Walong
Perched amid a fruit-laden tree in the remote landscapes of Walong, the Golden-throated Barbet reveals its vibrant plumage—a vivid expression of colour and abundance in the Eastern Himalayas.

Shot on Nikon Z9, Nikon 500mm f 5_6 PF ED VR Lens with Nikon TC-14E III AF-S, 750mm, f5_6, ISO 360, SS 1/1000s

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The Victor’s March - Purple Heron with Water Snake — Mangalajodi
A Purple Heron walks with quiet majesty through the wetlands of Mangalajodi, carrying a freshly caught water snake—a fleeting moment of triumph in the struggle for survival.

Shot on Nikon Z9, Nikon 500mm f 5_6 PF ED VR Lens with Nikon TC-14E III AF-S, 700mm, f8, ISO 1800, SS 1/4000s

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Dawn of Rivalry - Intermediate Egrets Fighting — Mangalajodi
As the first rays of sunlight illuminate Mangalajodi, two Intermediate Egrets engage in a fierce territorial contest, transforming the tranquil wetland into a stage of rivalry and instinct.

Shot on Nikon Z9, Nikon 500mm f 5_6 PF ED VR Lens with Nikon TC-14E III AF-S, 700mm, f8, ISO 1800, SS 1/4000s


Image and Imagination Photography Exhibition 2026
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AJAYA MOHAN SAHU
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Parsurameswar — Where Odisha’s Temple Story Begins
Built in the 7th century, this ancient shrine quietly marks the transition in Odisha's temple architecture. The temple introduced an attached Jagamohana (entrance/assembly hall) alongside the sanctum.

Photographed with Nikon Z8 and NIKKOR F 16–35mm f/4 S lens on 12th July 2026 @ 17mm, f/14, 1/125s and ISO 100

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The Torana of Mukteshwar - The Sacred Gateway
More than an entrance, this graceful stone arch is a doorway into the imagination of 10th-century Odisha. Its flowing carvings of women, peacocks, monkeys and intricate scrolls reveal an artist who turned stone into movement.

Photographed with Nikon Z8 and NIKKOR F 16–35mm f/4 S lens on 12th July 2026 @ 19mm, f/7_1, 1/500s and ISO 80

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Mukteshwar Temple, the - Gem of Odisha Architecture
Built in the 10th century, this shrine to Lord Shiva marks a defining moment in the evolution of Kalinga architecture and is widely celebrated because of its flawless proportions, delicate craftsmanship, and unique decorative style.

Photographed with Nikon Z8 and NIKKOR F 16–35mm f/4 S lens on 12th July 2026 @ 19mm, f/6_3, 1/320s and ISO 64


Image and Imagination Photography Exhibition 2026
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DEBASISH MISHRA
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Shutterbug! At least let the lady fix her hair
A close-up macro photograph of a spotted ladybug perched on the center of a bright yellow flower. The detailed textures of the insect and flower are creating a vibrant, warm, nature-focused image.

Canon EOS R6 and Canon RF100mm F2_8 L MACRO IS USM lens, f/11, 1/125s and ISO 400

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Just a little web designer at work
A striking macro photograph of a hairy jumping spider resting on a green leaf, highlighting its large eyes, intricate markings, fine body hairs, and vivid colors against a softly blurred natural background.

Canon EOS R6 and LAOWA 100mm F2_8 CA-Dreamer Macro 2x lens, f/11, 1/200s and ISO 800

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Somewhere between darkness and light, the morning learns to bloom
The photo is a macro shot of a vibrant red-pink leaf covered in tiny water droplets. The central flower bud is in focus, while the surrounding petals and background create a dreamy bokeh effect.

Canon EOS R6 and EF75-300mm f/4-5_6 USM lens with Raynox DCR-250 , f/8, 1/250s and ISO 100


Image and Imagination Photography Exhibition 2026
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RASHMI RANJAN PANDA
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The Eye Behind the Stripes
I spotted the tiger slowly emerging through the shadows, its stripes blending perfectly with the grass. I waited for the right moment, when the light fell on its face and caught that one powerful eye. I quietly framed the shot and captured the moment—the body disappeared into the wilderness, but the eye told the whole story.

Bandhavgad , Madhya Pradesh Sony a7iii Sony 200-600mm G ISO - 10000 , f/6_3 , 1/200s

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A Glimpse of the Wild
I went into the jungle searching for a tiger, but for a moment, it felt like the tiger had found me first. Hidden in the tall grass, those eyes quietly watched me. As the grass opened, I lifted my camera and captured that fleeting moment—when the wild revealed itself, just for me.

Bandhavgad , Madhya Pradesh Sony a1, Sony 70-200mm f/2_8 GM ISO- 640, f/3_2, 1/ 1000s

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Guardian of the Grasslands
I had been waiting quietly in the tall grass when, suddenly, the wilderness revealed its guardian. The tiger stepped into the fading light and looked straight at me. For a few seconds, everything went silent. I simply held my camera and captured that unforgettable stare a moment when I wasn’t just photographing the wild, I was witnessing it.

Bandhavgad , Madhya Pradesh Sony a1, Sony 70-200mm f/2_8 GM ISO- 640, f/3_2, 1/ 1000s


Image and Imagination Photography Exhibition 2026
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SATYAJIT DAS
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Fire Over the Danube - Hungarian Parliament Building, Budapest, Hungary
An early departure turned into an unplanned gift, as the pre-dawn sky over the Danube erupted in amber and violet. The Parliament's Gothic Revival spires stood in silhouette against the blaze, while a river cruiser traced a quiet wake below. Completed in 1904, it was briefly the world's largest parliament building.

Photographed with Nikon Z9 and NIKKOR Z 24-120mm f/4 S at 33mm, f/7_1, 1/15s, ISO 400, 9 October 2023

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Castles of Dreams - Charyn Canyon, Almaty Region, Kazakhstan
Millions of years of wind and water have carved these red sandstone towers into castle-like formations, their striated layers recording a slow geological history. The afternoon light rakes across the eroded pillars, deepening the contrast between the warm ochre stone and the shadowed canyon walls beyond.

Photographed with Sony A 7RM5 and Sony FE 24-105mm f/4 G OSS at 86mm, f/8, 1/200s, ISO 400, 21 April 2025

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Sky on Fire Over Taipei - Taipei 101, Taipei, Taiwan
An early morning shot from my hotel room, with Taipei 101’s silhouette set against a sky streaked in orange and violet. Completed in 2004, it held the title of world’s tallest building until 2010.

Photographed with Nikon Zf and NIKKOR Z 35mm f/1_8 S at 35mm, f5_6, 1/40s, ISO 400, 2 September 2025

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Before the Squall - Phuket, Thailand
Limestone karsts rose like shadows against a darkening sky, the calm before a storm that would soon catch us on the water. The islands faded into haze as the clouds closed in.

Photographed with Nikon Z8 and NIKKOR Z 24-120mm f/4 S at 110mm, f4, 1/500s, ISO 64, 18 June 2025

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From the Edge of Titlis - Mount Titlis, Swiss Alps, Switzerland
From the summit of Mount Titlis, the rugged cliffs and snow-covered ridges unfold into a deep alpine valley. A longer focal length compresses the layers of mountains, revealing a striking interplay of light, shadow, and distance.

Photographed with Nikon Z9 and NIKKOR Z 24–70mm f/4 S at 66mm, f/6_3, 1/320s, ISO 64, 16 October 2022

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Temple of Dawn at Dusk - Wat Arun, Bangkok, Thailand
Wat Arun, the “Temple of Dawn,” rises along the Chao Phraya, its spires studded with porcelain that catches the fading light. The river remains Bangkok’s lifeline, the artery around which the old city still moves. A long-tail boat cuts across the water as the sky turns gold to pink.

Photographed with Nikon Z9 and NIKKOR Z 24-120mm f/4 S at 61mm, f6_3, 1/40s, ISO 560, 30 January 2023


Image and Imagination Photography Exhibition 2026
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D K PATTANAYAK
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NATURE THE MAGNIFICENT
What can be more miraculous than the perfect alignment of the Drang Drung Glacier, Zanskar, Ladakh, with the Milky-way, in the ink-black firmament of Ladakh, and a million stars beckoning the viewer to be one with the universe!.

Photographed with Nikon Z7 and Z Nikkor 20mm f/1_8 S lens @ f/1_8, 15 seconds and ISO 3200

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FROM THE HEAVEN LAKE
The calligraphy of water on the valley floor, brings its journey to the final stretch, where it finds a vast canvas. Starting as ice in the high-altitude Himalayan peaks, and concentrated and compacted in the glaciers midway, it comes down as glacial melt in summer.

Photographed with Nikon Z7 and Z Nikkor 24-70mm f/2_8 S lens @ 70mm, f/9, 1/10s and ISO 64 - Handheld

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THE INEFFABLE LIGHTNESS OF BEING
Spirits are meant to soar, despite whatever fetters or weight some external factor attaches to the body. Wanted to convey the joy, the effulgence and the sheer flight of the white frangipani flower into an ethereal plane. As if the flower is indicating through the five petals formed like a mudra, a visual alphabet, to rise above the mundane, and be a part of the sublime, and the infinite.

Photographed with Nikon Z7 and Z Nikkor 135mm f/1_8 S Plena lens @ f/2, 1/100s and ISO 64 Exposure +0_3 stop

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INTIMATE LANDSCAPE
Nature's so-called chaotic and random algorithm creates stunning beauty, that requires a loving eye to see and appreciate it. Hada Kankali (Ardisia solanacea) flower photographed on leaf litter.

Photographed with Nikon Z7 and Z Nikkor 105mm f/2_8 MC lens @ f/20, 1/200s and ISO 1250 - Exposure - 0_3 stop

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SERENDIPITY AT ITS VERY BEST
While photographing this glacial lake in the Himalayan highlands of Ladakh, I was pleasantly surprised to see this wild horse come to have a drink at the lake. The sun was already high in the sky, but I was lucky in creating a sunstar to celebrate this wonderful conjunction of events.

Photographed with Nikon Z7 and Z Nikkor 14-24mm f/2_8 S lens @ 24mm, f/16, 1/80s and ISO 72

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THE LIGHT OF SPRING
Kanchana (Bauhinia variegata) flowers put up a spectacular show in late winter and early spring. The flowers are noted for the beautiful structure, colours, and profusion, and almost the total absence of leaves. Paint the world pink.

Photographed with Nikon Z7 and Z Nikkor 135mm f/1_8 S Plena lens @ f/1_8, 1/500s and ISO 180 - Exposure +1_3 stops


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NADIYA KRISHNAN
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If looks could kill
After a long-drawn battle with another leopard, this adult male quenches his thirst, preparing for a long siesta to recover his strength. The scars—both old and new—bear witness to a life lived on the edge, and lived well at that. His eyes betray the pain and weariness of countless battles, yet he still looks around with a stunning, almost defiant gaze, daringly scanning the entire battalion of photographers falling over themselves to capture his portrait.

Leopard Bahadur, Jhalana Leopard Reserve, 13th Jan 2026, NIKON Z 7II with NIKORR Z 180- 600mm f/5_6_6_3 VR Lens at 600 mm, f/6_7, 1/350 s ISO 800

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Magical Bharatpur
I am Nadiya Krishnan. PhBharatpur—a place cloaked in misty fog, where every fallen tree, every branch and twig, every mound transforms into a frame waiting to be captured, urging you to pause, see, and tell its story. Where the landscape appears like a land wrecked by the stillness of death, the Oriental Darter spreads its wings, embracing life—always knowing that the fog will lift, and what seems lifeless will soon be teeming with life.

Keoladeo National Park and UNIESCO World Heritage Site, Bharatpur, Rajasthan 15th Jan 2026 / NIKON Z 7II with NIKORR Z 180- 600mm f/5_6-6_3 VR Lens at 180 mm, f/9_5, 1/1500s ISO 1100

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The Glare, The Gaze and The Grace - The Glare of a predator, the piercing Gaze of the wild, the untamed Grace of a queen
In that stare is strength, in silence it speaks of resilience. Every glance radiates power, presence, and the primal spirit of the wild. This is the soul of the wilderness— Intense. Raw. Untamed. Elegant.

Tigress Kajri, Tadoba Andhari Tiger reserve, Maharashtra, 1st May 2025, NIKON Z 7II with NIKORR Z 180- 600mm f/5_6-6_3 VR Lens at 560 mm f/8_0, 1/1000s ISO 1100